It was bright and the sensitivity set to 100 ISO, so this represents ideal conditions.Īs you’d hope for the conditions, the crops show plenty of detail and no noise to worry about. This first shot was taken with the A300 and 18-70mm zoomed-out to an equivalent of 27mm. Note: you may wish to open our Sony Alpha DSLR A350 Gallery for a direct comparison of detail and noise. The three crops are typically taken from far left, central and far right portions of each image. The crops are taken from the original files, reproduced at 100% and saved in Adobe Photoshop CS2 as JPEGs with the default Very High quality preset, while the resized images were made in Photoshop CS2 and saved with the default High quality preset.
The individual exposure mode, file sizes, shutter speeds, aperture, ISO and lens focal length are listed for each image. Super SteadyShot was enabled for all handheld shots here. High ISO NR and the D-Range Optimiser were set to their default On and Standard settings respectively. The A300 was set to Large Fine JPEG quality, Auto White Balance, Multi-segment metering and Standard Colour mode.
#SONY A350 SAMPLE PICTURES UPDATE#
We will update this page with samples from a retail A300 when one becomes available. Sony has asked us to describe this unit as pre-production, although supplied in retail packaging and running Firmware version 1.0, we’re confident the output is close or even identical to what you’ll get with final production units. The following images were taken with a Sony Alpha DSLR-A300 running version 1.0 firmware and fitted with the Sony DT 18-70mm kit lens.